Generality of interference by tonal stimuli in recognition memory for pitch.

An investigation was made into the disruptive effects on pitch recognition produced by tones taken from beyond the octave from which the standard (S) and comparison (C) tones were taken. Pitch recognition was required after a retention interval during which eight other tones were played. Errors were compared for sequences in which the interpolated tones were taken from the same octave as were the S and C tones; in which they were taken from the octave above; in which they were taken from the octave below; and in which half of the intervening tones were taken from the octave above and the other half from the octave below, the order of choice of octave within the sequence being random. Large disruptive effects were produced by interpolated tones drawn from the higher and lower octaves, though these effects were slightly less than those produced by tones drawn from the same octave. The greatest disruptive effect occurred when the intervening tones in any one sequence were drawn from both the higher and the lower octaves. The implications of these findings are discussed.